Kamis, 30 Desember 2010

BELAHAN TEMPLE

The cultural tourism attraction located on the slope of Mount Penanggungan, in Wonosonyo village, Gempol district, Pasuruan regency. The building is unique and interesting because the temple has completed with swimming pool. Formerly, it had used as the resting place of King Airlangga, which immortalized as statue rides on Jatayu. The temple has superiority in historical aspects namely: the uniqueness and mysticism. According to the society belief, whoever takes a bath in this swimming pool will restore young.

If you interesting in historical tourism, then visit Belahan Temple in Pasuruan. This temple is a unique temple, because it has different form with the other temple in East Java. One of its statue is formed a woman who hold her breast and take out water. This water comes from natural water source of the mountain. 

Sumber : www.eastjava.com

Jolotundo Temple


Jolotundo is like a swimming pool area that located near to Seloliman village, Trawas district, and east slope of Mount Penanggungan. This site is believed has relation with King Airlangga.

This temple was prepared for Udayana King from Bali who embraced Gunapriyadharmapatni prince. From their marriage, it was born Airlangga it was build in 997M. According to the story, the water in this temple is the clearest water in the word, and the slope of Bekal Mountain, one of Peak of Penaggungan Mountain, Seloliman, Trawas. Its location is easy to be reached by car or motorcycle. Not only Hindus and Buddhist, the other community are also come here to take a bath and have meditation.

Sumber : www.eastjava.com

BRAHU Temple

Brahu temple is the biggest temple in Trowulan. Brahu is supposed come from “Wanaru” or “Warahu”, which is name of holly building that mentioned in a cooper inscription “Alasanta” that found in west side of this temple. Brahu temple is made of red bricks and plain without decoration. It is located in Jambu Menta sub-village, Bejijong village, Trowulan district, Mojokerto regency.

The temple that looks out on west is rectangle building with 22,5 m length, 18 m width, and 20 m height. Its building consist three part, which is foot, body and roof. Seen from its style, this temple is supposed to Buddha temple that built in 15 century. Based on Mpu Sendok inscription (861 Saka or 9 September 939 M), this temple is place to burn Kings Brawijaya death body (crematorium). But in some research, they never found any death body ash in the temple. The restoration of this temple is done in 1990 – 1995. 

Sumber : www.eastjava.com

Wringinlawang Temple

Wringinlawang temple is a “Gateway” of all temples in Trowulan area. The reason is the visitors will meet this old building for the first they visit Trowulan’s temples. Actually, Wringinlawang is not a temple building, but it is a gateway building. But the community around has known this building as a temple. Wringinlawang is located in Wringin Lawang sub-village, Jati Pasar Village, Trowulan district, Mojokerto regency and East Java – Indonesia.

Wringinlawang Temple is made of red bricks. Based on the story, this building called Wringinlawang because it stayed between two Banyan Trees (Wringin). But now, we can’t find that trees. Seen from its form, Wringinlawang gate is kind of ‘Bentar’ gate, which has foot part, body part, and gate roof. Based on some opinion, the gate that has known from 1815 has functioned as the gate of all temples. Wringinlawang now has being reparation activity in 1991. Wringinlawang has 13 m length, 11,5 m width and 13,7 m height. 
 
 
Sumber : www.eastjava.com
foto : kaskus.us

Bajang Ratu Temple



Bajang Ratu temple, located in the hamlet of Kraton, not far from Tikus temple, is one of Trowulan's principal attractions. The remains consist of an elegant gateway, built from red brick and andesite block stone, probably dating from around the mid 14th century. The shape of the building is tall and slender, rising to a height of just over 16 meters. Restoration was completed in 1991.

The gateway was originally connected to a brick wall, running off to the left and right, by way of a form resembling wings. This ornamental device, known as Paduraksa, can be seen on other ancient Javanese gateways, notably at Plumbangan, near Wlingi; at Jedong, on the northern slope of Mt Penanggungan, as well as at Belahan temple. The winged gateway found its fullest expression, however, in the 15th century tomb of Sendang Duwur.

Bajang Ratu temple is located in Temon village, Trowulan district, Mojokerto regency. Its size is 11,20 m length, 6,74 m width and 16,50 m height. Bajangratu is roofed gateway. Based on Ramayana, long car animal and dragon relieves, this monument is estimated built in 14th century. The gateway was function as the entrance into a sacred building to commemorate the death of Jayanegara who is stated in Negarakertagama manuscript that be returned in Wisnu's world at 1328 C. Meanwhile the Pararaton script mentioned Jayanegara was abode in Kapopongan and immortalized at Antawulan (Trowulan). This opinion supported by relief of Sri Tanjung, gate wing that have 
 
 
www.eastjava.com
foto : riyantoyosapat.com
panoramio.com

TIKUS Temple

Tikus Temple (the 'rat temple') is located about 500 meters south east of Bajang Ratu Temple. Precisely located in Temon village, Trowulan district, Mojokerto regency, sized 16 m length, 16 m width, and 3,5 m height. Restored to its present condition between the years 1985 and 1989, the site comprises the remains of an ancient ritual bathing place (petirtaan) dating from Majapahit period.

The principal building originally consisted of two terraces, upon which a concentric arrangement of 'turrets' surrounded the highest part of the structure, located in the centre. This form may be seen to reflect that of the holy Mt Mahameru of Hindu mythology, from which is believed to spring the elixir of immortality. The unusual name of this temple is connected with the circumstances of its discovery in 1914. At that time, apparently, the neighborhood was experiencing a plague of rats. Each time efforts were made to exterminate them, however, the creatures would disappear down a hole in a small hillock. On the order of the old regent of Mojokerto, Kromojoyo Adinegoro, the mound was consequently excavated with the purpose of destroying the rats' nest. The result was the discovery of one of Trowulan's most important archaeological sites.
 

Sumber : www.eastjava.com
foto : flickriver.com
mojokerto.info

Rabu, 22 Desember 2010

Kalasan Temple


Candi Kalasan, also known as Candi Kalibening, is an 8th century Buddhist temple in Indonesia. It is located 13 km east of Yogyakarta on the way to Prambanan temple, on the south side of the main road 'Jalan Solo' between Yogyakarta and Surakarta.

HISTORY
According to a Kalasan inscription dated 778 AD, written in Sanskrit using Pranagari script, the temple was erected by the will of Guru Sang Raja Sailendravamçatilaka (the Jewel of Sailendra family) that succeed to persuade Maharaja Tejapurnapana Panangkaran (in other part of the inscription also called as Kariyana Panangkaran) to construct a holy building for the goddess (boddhisattvadevi) Tara and also build a vihara (monastery) for buddhist monks from Sailendra family's realm. Panangkaran awarded the Kalaça village to sangha (buddhist monastic community).[1]. According to the date of this inscription, Kalasan temple is the oldest among temples built in the Prambanan Plain.
Despite being renovated and partially rebuilt during the Dutch colonial era, the temple currently is in poor condition. Compared to other temples nearby such as Prambanan, Sewu, and Sambisari the temple is not maintained.


Architecture

The temple stands on square 14.20 meters sub-basement. The temple plan is cross-shaped 12 corners polygon. Each of four cardinal points have stairs and gates adorned with Kala-Makara and also have rooms measured 3,5 square meters. No statue is found in the smaller room facing north, west, and south; but the lotus pedestals suggested that the rooms once contains statues of bodhisattvas. The temple is richly decorated with buddhist figures such as bodhisattva and gana. The Kala Face above the southern door has been photographed and used by a number of foreign academics in their books to give an idea of the artistry in stone by Central Javanese artists of a millennia ago. Niches where the statues would have been placed are found inside and outside the temple. The niches adorned outer wall intricately carved with Kala, gods and divinities in scene of svargaloka, celestial palace abode of gods, apsaras, and gandharvas.
The roof of the temple is designed in three sections. The lower one are still according to the polygonal shape of the body and contains small niches with statues of boddhisatvas seated on lotus. Each of this niches is crowned with stupas. The middle part of the roof is in octagonal (eight sided) shape. Each of this eight sides adorned with niches contains statue of a Dhyani Buddha flanked by two standing boddhisatvas.[2] The top part of the roof is almost circular and also have 8 niches crowned with single large dagoba. The octagonal aspect of the structure has led to speculation of non-buddhist elements in the temple, similar to some interpretations of the early Borobudur structure.
The temple is facing east, with eastern room also served as access to main central room. In the larger main room there is lotus pedestal and throne carved with makara, lion, and elephant figure, similar to the Buddha Vairocana throne founds in Mendut temple. According to the Kalasan inscription, the temple once houses the large (probably reaching 4 meters tall) statue of the Boddhisattvadevi Tara. By the design of the throne, most probably the statue of the goddess was in seated position and made from bronze. Now the statue is missing, probably the same fate as bronze Buddha statue in Sewu temple, being looted for scrap metal over centuries.
On the outer wall of the temple found the traces of plaster called vajralepa (lit: diamond plaster). The same substance also founds in nearby Sari temple. The white-yellowish plaster was applied to protect the temple wall, but now the plaster has worn off.
The temple is located on archaeologically rich Prambanan valley. Just a few hundred meters north east from Kalasan temple is located Sari temple. Candi Sari most probably was the monastery mentioned in Kalasan inscription. Further east lies the Prambanan complex, Sewu temple, and Plaosan temple.

Sourch : Wilkipedia
foto : flickriver.com
thefullwiki.org


Minggu, 19 Desember 2010

Sambisari Temple

21 Yeas construction the Sambisari Temple "Puzzle"

Mr. Karyowinangun did not have any hunch of what was going to happen on one early morning in 1966. When he was preparing the ground for cultivation with his hoe, he felt it bumping a big stone. When he checked it, he saw carvings on the stone. Karyowinangun and the local people wondered about the existence of the stone.
Knowing the discovery, the archeological department came to the site and defined Karyowinangun's field to be archeological site. The carved stone was supposed to be part of a temple that possibly was buried in the area. Excavation was then executed to find hundreds slabs of stone and ancient statues. It turned to be true that those stones were components of a temple.

After 21 years, we can enjoy the beauty of the temple. The temple building named Sambisari stands grandly in Sambisari Village, Purwomartani Sub-District, Kalasan District, Sleman Regency, 10 kilometer away from Yogyakarta city center. You can reach this place by going eastward through the Yogya-Solo road until you see a signboard directing to this temple. Then, you turn left to follow the road.
Arriving at the area of the temple, YogYES first got surprised. Looking at the center of the temple area, there was an only pile of stones of less than 2 meters high. YogYES wondered if it Sambisari temple was that small? Approaching nearer, we will find the answer. In fact, Sambisari temple is 6,5 meters below the surrounding land.

Sambisari temple is predicted to be constructed between 812 - 838 AD, possibly under the government of Rakai Garung. The complex of the temple consists of 1 main temple and 3 supporting temples. There are 2 fences surrounding the temple complex, on the fences was totally reconstructed, while the other was only showed a little in the east side of the temple. Still function as borders, there are 8 stand phalluses distributed in each point of direction.
The main temple building is unique since it does not have shoe basement like other temples in Java. At the same time, the foot of the temple functions as the foundation to make the temple even on the ground. The foot part of the temple is left plain, without reliefs or decorations. Various elements most of them are of plants ornaments are found on the body to the outer part of the temple top. The ornaments look like batik motif.
Stepping up the stairs of the entrance of the temple, we will see an ornament of a dragon in the open mouth of makara (the magical animal in Hindu mythology). The figure of makara in Sambisari is an evolution of the makara form in India that can be in the form of a unification of elephant and fish or a crocodile and curved-tail fish.

The narrow verandah as wide as 1 meter will be found after passing through the last stair of the main temple entrance. Walking around it, you will see 3 cavities with one statue in each of them. In the north part, there is a statue of Durga (the wife of Siva) with 8 hands each of which is holding a weapon. Meanwhile, in the east side, there is Ganesha statue (son of Durga). In the southern side, there is Agastya statue with aksamala on his neck.
Entering the primary compartment of the temple, we can see quite big phallus and yoni measuring at around 1.5 meters. Its existence shows that this temple was build as the place for worshipping Siva. The phallus and the yoni behind this temple were also used to make the holy water. Usually, the water is poured on the phallus and let flow toward the small ditch on the yoni, then it is accommodated in a container.
Exiting from the main temple to go westwards, we will be able to see the three supporting temples (perwara) standing in the opposite direction. There was a prediction that this perwara temple was intentionally constructed without roof because when excavation was done, no roof stones were discovered. The inner part of the central supporting temples (perwara) has a square saucer decorated with dragon ornament and a padmasana on it. Possibly, padmasana and the saucers were utilized as places for statues or offerings.
When we have been satisfied with enjoying the beauty of the temple, we may leave for the information room. Some photographs featuring the rice field owned by Mr. Karyowinangun before the excavation and the early condition of the temple at the early time of the discovery. There are also photographs of the excavation processes and the temple reconstruction that lasted for tens of years, including the photographs of other goods such as bronze statues found during the excavation that are kept in Building of Archeological Heritance Preservation.

The beauty of Sambisari temple that we can enjoy at present time is the result of hard works of the archeologists for 21 years. The temple that initially looked like a giant puzzle was reconstructed piece by piece for the continuation of one more heritance of the great culture in the past.


Sourch : Text: Yunanto Wiji Utomo, www.yogyes.com/yogyakarta-tourism
English Translation: Emanuel, Downhill English Services

foto : handoyoblog.com, beautyfulindonesia.blogspot.com, addicted2thatrush.multiply.com

Pawon Temple

Pawon (known locally as Candi Pawon) is a Buddhist temple in Central Java, Indonesia. Located between two other Buddhist temples, Borobudur (1.75 km (1 mi) to the northeast) and Mendut (1.15 km (1 mi) to the southwest), Pawon is connected with the other two temples, all of which were built during the Sailendra dynasty (8th–9th centuries).[1] Examines the detail and style of its carving this temple is slightly older than Borobudur.
The three temples were located on a straight line, suggesting there was a symbolic meaning that binds these temples.

"Between Mendut and Borobudur stands Pawon temple, a jewel of Javanese temple architecture. Most probably, this temple served to purify the mind prior to ascending Borobudur."

The original name of this Buddhist shrine is uncertain. Pawon literally means "kitchen" in Javanese language, which is derived from the root word awu or dust. The connection to the word "dust" also suggests that this temple was probably built as a tomb or mortuary temple for a king.[3]. Pawon from the word Per-awu-an (place that contains dust), a temple that houses the dust of cremated king. However who was the personage that entombed here is still unknown. Local people name this temple as "Bajranalan" based on the name of the village. Bajranalan is derived from the sanskirt word Vajra (thunder or also a Buddhist ceremonial tool) and Anala (fire, flame).

In the contemporary era during the full moon in May or June, Buddhists in Indonesia observe Vesak annual ritual by walking from Mendut passing through Pawon and ends at Borobudur.[4]

Architecture

The temple slightly faces northwest and stands on a square base. Each sides of the stairs and the top of the gates are adorned with carved Kala-Makara, commonly found in classic Javanese temples. The outer wall of Pawon is carved with reliefs of boddhisattvas and taras. There are also reliefs of kalpataru (tree of life), flanked between Kinnara-Kinnari. The square chamber inside is empty with a square basin in the center of it. Rectangular small windows were found, probably for ventilation.
The roof section of is crowned with five small stupas and four small ratnas. Because of its relative simplicity, symmetry and harmony, the historians dubbed this small temple as "the jewel of Javanese temple architecture", in contrast with tall-slender East Javanese style counterparts as founds in later Singhasari and Majapahit period.

 Sourch : Wilkipidea
skyscrapercity.com
worldtravelx.com
pusaka-indonesia.com

Sabtu, 18 Desember 2010

MENDUT TEMPLE

Mendut is a ninth century Buddhist temple, located in Mendut village, Mungkid sub-district, Magelang Regency, Central Java, Indonesia. The temple is located about three kilometres east from Borobudur. Mendut, Borobudur and Pawon, all of which are Buddhist temples, are located in one straight line. There is a mutual religious relationship between the three temples, although the exact ritual process is unknown.


History 

Built around early ninth century AD, Mendut is the oldest of the three temples including Pawon and Borobudur. The Karang Tengah inscription, the temple was built and finished during the reign of King Indra of Sailendra dynasty. The inscription dated 824 AD mentioned that King Indra of Sailendra has built a sacred building named Venuvana which means "bamboo forest". Dutch archaeologist JG de Casparis has connected the temple mentioned in Karang Tengah inscription with Mendut temple[citation needed].

 

In 1836 it was discovered as a ruins covered with bushes. The restoration of this temple was started at 1897 and it was finished at 1925. Some archaeologists who had conducted research on this temple were JG de Casparis, Theodoor van Erp, and Arisatya Yogaswara.

Architecture

The 26.4 metres tall temple is facing northwest. The stairs projecting from the northwest side square elevated base is adorned with Makara statue on each sides, the side of the stairwall carved with bas-relief of fable narrating the animal story of buddhist teaching. The square terrace surrounding the body of the temple was meant for pradakshina or circumambulating ritual, walking clockwise around the temple. The outer walls is adorned with bas-reliefs of Boddhisattvas (buddhist divinities), such as Avalokitesvara, Maitreya, Cunda, Ksitigarbha, Samantabhadra, Mahakarunika Avalokitesvara, Vajrapani, Manjusri, Akasagarbha, and Boddhisattvadevi Prajnaparamita among other buddhist figures. Originally the temple had two chambers, a small chamber in the front, and the large main chamber in the center. The roof and some parts of the front chamber walls are missing. The inner wall of front chamber is adorned with bas-relief of Hariti surrounds by children, Atavaka on the other side, Kalpataru, also groups of devatas divinities flying in heaven.

Sourch :   en.wikipedia.org
foto :  jogjadiscovery.net
 anandaindonesia.blogspot.com
canstockphoto.com

SEWU of THOUSAND TEMPLE

Sewu Temple is located 2 km north of Prambanan Temple. This is the second largest Buddhist Temple complex in Java; Restoration is professionally underway to reach its original form. It is a MANDALA, manifesting the universe in the center temple of Mahadeva, surrounded by four rings of 250 smaller temples of Gods. Sewu Temple complex is located in Prambanan Temple Park area, about 800 meters to the north of Rara Jongrang Temples. The fact that this temple was built near Prambanan Temple, which is a Hindu temple, indicated that the Hindus and Buddhists lived in harmony.

The main temple has 1 main room and 4 small rooms of which are doorways to the temple. The east door serves as main door to the main room. That way, the main temple faces to the east. The structure has 9 'roofs'; each of them forms a stupa on the top. It is believed to be a royal temple and was one of the religious activity centers in the past. Based on the inscription dated back to 792 AD, which was found in 1960, the name of the temple complex was probably "Manjus'rigrha" (The House of Manjusri). Manjusri is one of Boddhisatva in Buddhist teaching. Sewu Temple was probably built in the 8th century at the end of Rakai Panangkaran administration. Rakai Panangkaran (746 AD - 784 AD) was a popular king from the old Mataram kingdom. HC Cornelius studied the temple firstly in 1807. NJ Krom did the first archeological study in 1923.


Sourch : www.indonesia-tourism.com
foto : ignimbrite.blogspot.com
mdpjayatours.blogspot.com

Ratu Boko Temple Yogyakarta

Ratu Boko Temple is one of the fascinating ancient temples in Yogyakarta. It showcases the rich cultural and architectural traditions of Indonesia and is a popular tourist attraction of Yogyakarta visited by thousands every year. It also displays a blend of Hindu and Buddhist architectural elements indicating the extensive spread of both religions in Indonesia, once upon a time.

Location
Ratu Boko Temple is located 196 m above sea level on a mountain, about 3 km south from Prambanan Temple. 

History of Ratu Boko Temple, Yogyakarta
The Ratu Boko Temple is considered to have been built as a dormitory for monks, according to inscriptions dating back to the mid 700's. It is also a remainder of King Boko's palace built around 8th century. Ratu Boko Temple was originally named Abhayagiri Vihara. Several legends say that the temple was used for staging mortal combats. 


Description
Ratu Boko Temple has a width of 2.5 lakh square meters and boasts beautiful monasteries, terraces, ponds and temples.
The impressive entrance gate of the Ratu Boko Temple boasts two separate gateways set at different levels. It is decorated with intricate stone facings. About 50 m from the main gate is a temple of white stone. Just nearby you can see two square terraces used for burning corpses. Within the Ratu Boko Temple, there is a well called Amerta Mantana. The water of this well is considered lucky and used on auspicious days by Indonesia's Hindu people.

At Ratu Boko Temple you'll also see a series of circular pools carved into the limestone. These were used for royal baths.
Two caves formed of sediment stones lie at the eastern end of the palace, The upper cave is called Gua Lanang (Male Cave) and the lower cave Gua Wadon( Female Cave). These Buddhist caves also have Hindu elements of Linga and Yoni, and statue of Ganesha.
So, visit the beautiful Ratu Boko Temple, Yogyakarta and get an insight into Indonesia's fascinating heritage.

From : AsiaRooms.com
foto : indonesiatourismzone.blogspot.com
salsaque.blogspot.com, dynamictube.com

Sabtu, 11 Desember 2010

Borobudur

Borobudur, or Barabudur, is a 9th-century Mahayana Buddhist monument near Magelang, Central Java, Indonesia. The monument comprises six square platforms topped by three circular platforms, and is decorated with 2,672 relief panels and 504 Buddha statues.[1] A main dome, located at the center of the top platform, is surrounded by 72 Buddha statues seated inside perforated stupa.
The monument is both a shrine to the Lord Buddha and a place for Buddhist pilgrimage. The journey for pilgrims begins at the base of the monument and follows a path circumambulating the monument while ascending to the top through the three levels of Buddhist cosmology, namely Kāmadhātu (the world of desire), Rupadhatu (the world of forms) and Arupadhatu (the world of formlessness). During the journey the monument guides the pilgrims through a system of stairways and corridors with 1,460 narrative relief panels on the wall and the balustrades.
Evidence suggests Borobudur was abandoned following the 14th-century decline of Buddhist and Hindu kingdoms in Java, and the Javanese conversion to Islam.[2] Worldwide knowledge of its existence was sparked in 1814 by Sir Thomas Stamford Raffles, then the British ruler of Java, who was advised of its location by native Indonesians. Borobudur has since been preserved through several restorations. The largest restoration project was undertaken between 1975 and 1982 by the Indonesian government and UNESCO, following which the monument was listed as a UNESCO World Heritage Site.[3] Borobudur is still used for pilgrimage; once a year Buddhists in Indonesia celebrate Vesak at the monument, and Borobudur is Indonesia's single most visited tourist attraction.

Etymology

In Indonesian, ancient temples are known as candi; thus "Borobudur Temple" is locally known as Candi Borobudur. The term candi is also used more loosely to describe any ancient structure, for example gates and bathing structures. The origins of the name Borobudur however are unclear,[7] although the original names of most ancient Indonesian temples are no longer known.[7] The name Borobudur was first written in Sir Thomas Raffles' book on Javan history.[8] Raffles wrote about a monument called borobudur, but there are no older documents suggesting the same name.[7] The only old Javanese manuscript that hints at the monument as a holy Buddhist sanctuary is Nagarakretagama, written by Mpu Prapanca in 1365.[9]
The name Bore-Budur, and thus BoroBudur, is thought to have been written by Raffles in English grammar to mean the nearby village of Bore; most candi are named after a nearby village. If it followed Javanese language, the monument should have been named 'BudurBoro'. Raffles also suggested that 'Budur' might correspond to the modern Javanese word Buda ("ancient") – i.e., "ancient Boro".[7] However, another archaeologist suggests the second component of the name (Budur) comes from Javanese term bhudhara (mountain).[10]
Karangtengah inscription dated 824 mentioned about the sima (tax-free) lands awarded by Çrī Kahulunan (Pramodhawardhani) to ensure the funding and maintenance of a Kamūlān called Bhūmisambhāra.[11] Kamūlān itself from the word mula which means 'the place of origin', a sacred building to honor the ancestors, probably the ancestors of the Sailendras. Casparis suggested that Bhūmi Sambhāra Bhudhāra which in Sanskrit means "The mountain of combined virtues of the ten stages of Boddhisattvahood", was the original name of Borobudur.

There is no written record of who built Borobudur or of its intended purpose.[18] The construction time has been estimated by comparison between carved reliefs on the temple's hidden foot and the inscriptions commonly used in royal charters during the 8th and 9th centuries. Borobudur was likely founded around 800 AD.[18] This corresponds to the period between 760 and 830 AD, the peak of the Sailendra dynasty in central Java,[19] when it was under the influence of the Srivijayan Empire. The construction has been estimated to have taken 75 years and been completed during the reign of Samaratungga in 825.[20][21]
There is confusion between Hindu and Buddhist rulers in Java around that time. The Sailendras were known as ardent followers of Lord Buddha, though stone inscriptions found at Sojomerto suggest they may have been Hindus.[20] It was during this time that many Hindu and Buddhist monuments were built on the plains and mountain around the Kedu Plain. The Buddhist monuments, including Borobudur, were erected around the same time as the Hindu Shiva Prambanan temple compound. In 732 AD, the Shivaite King Sanjaya commissioned a Shivalinga sanctuary to be built on the Ukir hill, only 10 km (6.2 miles) east of Borobudur.[22]
Construction of Buddhist temples, including Borobudur, at that time was possible because Sanjaya's immediate successor, Rakai Panangkaran, granted his permission to the Buddhist followers to build such temples.[23]

In fact, to show his respect, Panangkaran gave the village of Kalasan to the Buddhist community, as is written in the Kalasan Charter dated 778 AD.[23] This has led some archaeologists to believe that there was never serious conflict concerning religion in Java as it was possible for a Hindu king to patronize the establishment of a Buddhist monument; or for a Buddhist king to act likewise.[24] However, it is likely that there were two rival royal dynasties in Java at the time—the Buddhist Sailendra and the Saivite Sanjaya—in which the latter triumphed over their rival in the 856 battle on the Ratubaka plateau.[25] This confusion also exists regarding the Lara Jonggrang temple at the Prambanan complex, which was believed that it was erected by the victor Rakai Pikatan as the Sanjaya dynasty's reply to Borobudur,[25] but others suggest that there was a climate of peaceful coexistence where Sailendra involvement exists in Lara Jonggrang.[26]

Rediscovery

Following the Anglo-Dutch Java War, Java was under British administration from 1811 to 1816. The appointed governor was Lieutenant Governor-General Thomas Stamford Raffles, who took great interest in the history of Java. He collected Javanese antiques and made notes through contacts with local inhabitants during his tour throughout the island. On an inspection tour to Semarang in 1814, he was informed about a big monument deep in a jungle near the village of Bumisegoro.[27] He was not able to make the discovery himself and sent H.C. Cornelius, a Dutch engineer, to investigate.
 
n two months, Cornelius and his 200 men cut down trees, burned down vegetation and dug away the earth to reveal the monument. Due to the danger of collapse, he could not unearth all galleries. He reported his findings to Raffles including various drawings. Although the discovery is only mentioned by a few sentences, Raffles has been credited with the monument's recovery, as one who had brought it to the world's attention.[8] Hartmann, a Dutch administrator of the Kedu region, continued Cornelius' work and in 1835 the whole complex was finally unearthed. His interest in Borobudur was more personal than official. Hartmann did not write any reports of his activities; in particular, the alleged story that he discovered the large statue of Buddha in the main stupa.[28] In 1842, Hartmann investigated the main dome although what he discovered remains unknown as the main stupa remains empty.

Wilsen, a Dutch engineering official, who studied the monument and drew hundreds of relief sketches. J.F.G. Brumund was also appointed to make a detailed study of the monument, which was completed in 1859. The government intended to publish an article based on Brumund study supplemented by Wilsen's drawings, but Brumund refused to cooperate. The government then commissioned another scholar, C. Leemans, who compiled a monograph based on Brumund's and Wilsen's sources. In 1873, the first monograph of the detailed study of Borobudur was published, followed by its French translation a year later.[28] The first photograph of the monument was taken in 1873 by a Dutch-Flemish engraver, Isidore van Kinsbergen.[29] Appreciation of the site developed slowly, and it served for some time largely as a source of souvenirs and income for "souvenir hunters" and thieves.

In 1882, the chief inspector of cultural artifacts recommended that Borobudur be entirely disassembled with the relocation of reliefs into museums due to the unstable condition of the monument.[29] As a result, the government appointed Groenveldt, an archeologist, to undertake a thorough investigation of the site and to assess the actual condition of the complex; his report found that these fears were unjustified and recommended it be left intact.

 From Wikipedia, the free encyclopedia

foto :  kiat.net, spikedhumor.com,rainbowskill.com